Olympic National Park Rainforest & Coastal Photography Workshop

Old-growth rainforest, waterfalls, sea stacks, and tide pools at sunrise and sunset across Olympic's rainforest and coast.

Workshop overview

Panoramic sunset view of Second Beach with sea stacks, rocky shoreline, and dramatic clouds.
Dates
Dates TBA
Availability
Dates TBA
Price
$1690 USD
Instructor
Andy Cook

About the Olympic National Park photography workshop

Olympic National Park offers an unusual combination of photogenic environments. Old-growth rainforest, waterfalls, and rugged Pacific coastline sit within a short drive of each other, creating a workshop that stays productive across a wide range of weather. In the forest, soft light, moisture, and intimate scenes dominate. On the coast, the scale opens up, with tree-topped sea stacks, surf, and sky at sunrise and sunset.

During the workshop, we spend time in strong locations and stay as light, water, and weather evolve. Conditions often change enough over the course of a session to make very different photographs in the same location.

Andy Cook is present in the field throughout the workshop not to make his own images, but to help participants work through theirs, offering feedback when it helps and stepping back when things are working. There are also periods when participants work on their own as the group naturally spreads out across a location. Experience levels vary, but the emphasis stays on creating stronger photographs and leaving with a solid body of work.

Workshop highlights

Rainforest atmosphere

Olympic's rainforest is about small-scale scenes, moisture, and subtle light. Moss, ferns, water, and layered greens tend to photograph better under overcast skies and light rain.

Coastal sunrise and sunset

Coastal photography focuses on sea stacks, surf, and tide pools at sunrise and sunset, as conditions change through the session.

Working with weather

Weather is part of the experience here, not something to avoid. Light rain, mist, and cloud cover often improve forest and waterfall scenes. On the coast, cloud cover adds structure and depth to the sky.

Hall of Mosses in Olympic National Park.
The Hall of Mosses is all atmosphere, with soft light and layered greens.

Workshop itinerary and schedule

Overview

  1. Workshop start (date TBA)

    Welcome meeting and introductions in the evening. Photography begins the following morning.

  2. Workshop end (date TBA)

    The workshop concludes after evening photography on the final day.

Lodging

Olympic Suites Inn
800 Olympic Drive, Forks, WA
Lodging website · 800-262-3433
Forest in the Sol Duc area of Olympic National Park.
Sol Duc forest scenes are about layers and tone, with moss, water, and subtle light that changes minute to minute.

What to expect

  • Morning: Mornings usually begin early, often before sunrise, especially on the coast where tides, surf, and early light dictate the timing. In the rainforest, mornings tend to start later as we wait for light to build enough to work effectively. When conditions are right, we stay with a scene long enough for light, water, and weather to change and reveal new compositions.
  • Midday: Midday provides a natural pause. This time is used for rest, downloading files, image review, and post-processing help. Participation is flexible; some people use the break to rest, others to review or process images, and others to explore on their own.
  • Evening: Evening shoots are shaped by location and conditions and typically follow the evening meal. On the coast, timing is influenced by tides and surf, with sunset and twilight sessions focused on sea stacks, waves, and changing skies. In the forest, light fades earlier, and evening work often ends sooner as the canopy darkens before sunset.
Sunrise at Second Beach in Olympic National Park with sea stacks and tide pools.
Second Beach at dawn can be calm and reflective, with tide pools, soft light, and time to work a scene beyond the obvious.

Registration

Dates for this workshop haven't been announced yet.

→ Join the interest list.

Sol Duc Falls in Olympic National Park.
Waterfalls photograph best in soft light, and Olympic often provides plenty of it when moisture and cloud cover are present.

Workshop details

Experience level
Beginner to advanced. Participants should be comfortable working independently at times, as the group often spreads out while shooting.
Group size
Small group (target of 8 participants).
Effort
Moderate to difficult. Trail hiking with a few hundred feet of elevation gain to reach some locations. Longer trails range from about 1–2 miles each way. We hike most days, sometimes twice a day.
Conditions
Cool temperatures and moisture are common. If it's windy on the coast it can be cold.
Sunset at Rialto Beach in Olympic National Park with sea stacks and long-exposure surf.
Olympic's beaches can turn dramatic quickly, with wind, surf, and a narrow window of light that can change the whole coastline.

Getting to the workshop

Air travel

Most participants fly into Seattle Tacoma International Airport (SeaTac).

Drive times:
SeaTac to Port Angeles: ~2 hr 30 min
Forks to SeaTac: ~3 hr 30 min

Driving and carpooling

Expect a mix of maintained dirt and paved roads. A standard rental car is sufficient. We encourage participants to carpool during the workshop to limit impact and simplify logistics.

Sol Duc trail in Olympic National Park through lush forest.
The rainforest is lush, but it's also slippery, so good footwear and steady footing make the day more enjoyable.

Recommended gear

Lenses

A useful range is roughly 18mm to 400mm (full-frame equivalent). Wide coverage helps in the rainforest and on beaches, and longer focal lengths are useful for isolating sea stacks and compressing layers.

Lens hoods

To protect the front lens element from light rain and surf air.

Filters

Bring a polarizer plus 6-stop and 10-stop neutral density filters for long exposure surf and waterfall work.

Clothing and footwear

Rain is a real possibility. We may shoot in the rain—bring an umbrella and rainproof clothing. Waterproof hiking boots are recommended.

Twilight at Ruby Beach in Olympic National Park with sea stacks and mist.
Ruby Beach is a classic for a reason, with strong shapes, changing surf, and misty light that can turn simple scenes into something memorable.

FAQ

Is this workshop more rainforest-focused or coast-focused?

It's genuinely both. Olympic is one of the few places where old-growth rainforest and sea stacks belong in the same week. We'll photograph mossy forest scenes and waterfalls when the light is soft, then shift to the coast for sunrise and sunset as conditions allow. The mix keeps the workshop productive even when weather changes.

How physically demanding is the hiking?

This workshop is more physical than some of the others. Expect regular trail hiking, a few hundred feet of elevation gain to reach certain locations, and longer walks in the 1–2 mile range each way. We hike on most days, sometimes twice a day. You don't need to be fast, but you do need to be comfortable carrying your gear and moving steadily on wet, uneven trails.

What are the conditions typically like, and do we shoot in the rain?

This time of year marks the transition from the rainy season to the drier months, so conditions can range from cool and damp to sunny. Rain is a possibility, and light drizzle can actually be excellent in the rainforest. We'll work in light rain, but avoid heavy rain and high wind. Waterproof boots and real rain gear can make the week dramatically more comfortable.

How much post-processing and image review is included?

Image review and post-processing help are part of the workshop, typically during midday breaks. Andy can review images and help with editing decisions using your own files.

What gear matters most for Olympic—anything people overlook?

Two things: traction and rain protection. Waterproof hiking boots with good grip, plus a jacket that actually keeps you dry, will help you stay focused. A polarizer is useful in the rainforest and near water, and solid ND filters (6-stop and 10-stop) are great for long exposures on surf and waterfalls. Bring a stable tripod and a way to keep your camera dry while shooting.