Arches & Canyonlands Photography Workshop

From first light to night skies—day and Milky Way photography around Moab.

Workshop overview

Milky Way over Arches National Park, Moab, Utah.
Dates
Availability
Space available
Price
$1690 USD
Instructor
Andy Cook

About the Arches & Canyonlands photo workshop

The glow of early and late light reflecting off the dramatic red sandstone formations of the Moab region has long drawn landscape photographers. Photographing here is less about finding scenes and more about making compositions that hold together.

This workshop is structured around the best light conditions. Sunrise and sunset bring shape and separation to the rock, while clear nights are reserved for Milky Way photography. We photograph within Arches and Canyonlands National Parks and sometimes in the region outside the parks.

Participants spend extended time in strong locations, with the emphasis on refining compositions. Andy is present throughout the week, not making his own photographs, but offering guidance when decisions stall or issues arise, and stepping back when things are working. People attend for different reasons, some to refine technique, some for timing and access, others for the experience itself, but the expectation is the same: to leave with a set of photographs worth keeping.

Workshop highlights

The workshop balances sunrises and sunsets with Milky Way photography.

Milky Way photography fundamentals

Night photography here depends on accurate focus, usable exposure choices, and camera stability. We also address noise control and capture decisions that lead to files that process well.

Blending night skies with dusk foregrounds

When working in the parks, foregrounds are photographed at dusk, when noise and detail are easier to control, followed by Milky Way captures once the sky is fully dark. Files are later blended in post-processing to produce clean, adjustable results.

Controlled foreground illumination

Outside park boundaries, and only where appropriate, we may use dimmable light panels to explore subtle foreground illumination. The emphasis is on restraint and balance, matching the character of the sky rather than overpowering it.

Why July works well here

July offers comfortable night temperatures for Milky Way photography, which happens shortly after dark. This timing avoids all-night sessions and helps maintain energy through the rest of the week.

The season can also produce useful cloud structure for sunrise and sunset, adding shape and mood when the light lines up. Compared to spring and fall, July is typically less crowded, giving us more room to work through compositions without pressure. Hiking stays light to moderate, with longer walks scheduled later when temperatures begin to ease.

Sunrise at Dead Horse Point with orange dawn light over Canyonlands cliffs and mesas.
Sunrise from Dead Horse Point rewards early setup and small compositional choices.

Workshop itinerary and schedule

Overview

  1. Monday, July 26

    — Welcome meeting, introductions, and discussion.
    Evening: First twilight or night photography session as conditions allow.

  2. Tuesday–Friday, July 27–30

    Photography sessions scheduled around sunrise, sunset, and night sky conditions. Midday time reserved for rest, image review and post-processing.

  3. Friday, July 30

    Final sunset session.

Lodging

Comfort Suites
400 N Main Street, Moab, UT 84532
Lodging website · 435-259-5455
Check-in
Check-out
View from Green River Overlook in Canyonlands National Park with the river winding through distant canyons.
Big vistas here work best when the frame is simplified and the layers are allowed to separate.

What to expect

  • Morning: Mornings are decided by the previous night's conditions. After late Milky Way sessions, there is no formal group sunrise, and participants are free to rest or photograph independently. When evenings wrap earlier, we're in position before dawn for blue hour and sunrise, as light builds across the landscape.
  • Midday: Midday is for rest, image review, and post-processing, guided by the files you're making in the field. The focus is on blending exposures, managing tone and contrast, refining panoramas, and aligning the final image with your original intent. Participation is flexible.
  • Evening: Most nights begin with sunset photography. On clear nights, we extend into Milky Way photography. When clouds move in, we wrap after sunset and save energy for the following morning. We work when conditions are productive rather than forcing a fixed routine.
Stark branches in the foreground with buttes, ridges, and mesas in Canyonlands National Park (sepia-toned).
Even in big landscapes, foreground decisions matter. A few inches left or right can change the entire photograph.

Registration

Join us in Moab, Utah.

→ Register for the Arches & Canyonlands workshop

On the next page, you'll find secure PayPal buttons. You can check out as a guest using your credit or debit cardno PayPal account required.

Juniper tree and Canyonlands view from Dead Horse Point State Park.
Big scenes are common here. The challenge is choosing a frame that stays simple and still feels like Moab.

Workshop details

Experience level
Beginner to advanced photographers. The workshop includes advanced night sky and post-processing techniques, so beginners should be comfortable learning in a fast-moving environment.
Group size
Small group (maximum of 7 participants).
Effort
Light to moderate hiking. The longest hike is just over 0.5 miles each way with mild elevation gain. Expect uneven, sloped rock in places—sure footing helps.
Conditions
Warm evenings that cool quickly after sunset. Be prepared for possible chilly rain and thunderstorms.
Elevation range
Roughly from 4,100 to 6,000 feet—hydration matters.
Mesa Arch at sunrise in Canyonlands National Park with golden light under the arch.
Mesa Arch is iconic, but success here still comes down to edge control, timing, and keeping the foreground in balance with the scene.

Getting to the workshop

Air travel

Likely airport choices include Moab (UT), Grand Junction (CO), and Salt Lake City (UT).

Drive times: Grand Junction to Moab is about 2 hours. Salt Lake City to Moab is about 4 hours.

Driving and carpooling

Roads are generally paved, with a few gravel sections. A standard rental car is sufficient, though an SUV can be more comfortable and offer a bit more clearance in spots. We encourage participants to carpool during the workshop to reduce impact and simplify logistics.

Fisher Towers at night with the Milky Way near Moab, Utah.
Night work is equal parts technique and patience. When conditions line up, it's worth staying out a little longer.

Recommended gear

Lenses

For sunrise and sunset, a useful range is roughly 18mm to 400mm (full-frame equivalent). For the Milky Way, you'll want a true wide option: on full-frame, at least 16mm; on APS-C, roughly 10mm. If you're unsure how your lens performs wide open, test it before arriving. (See PDF: How to test lens sharpness.)

Tripod and stability

Bring a solid tripod with thick legs that can reach a comfortable working height. Wind and long sessions make stability matter.

Filters

A polarizer helps reduce rock glare and deepen skies.

Software and planning

Bring a laptop with Adobe Photoshop installed. For planning night skies in the field, the PhotoPills app, for your phone, is strongly recommended.

Other essentials

Sturdy hiking boots, the ability to carry plenty of water, and layers for cool down drafts and possible rain.

Lone pine at Marlborough Point near Moab, Utah (black and white).
The desert looks simple until you try to photograph it. Strong images come from controlling tone and deciding what carries visual weight in the frame.

FAQ

How much of this workshop is night sky photography versus daytime landscapes?

It's a balanced mix. Most days include opportunities for sunrise and early morning work, slower midday time for rest or image review, and sunset photography. On clear nights we extend into the Milky Way. When that happens, the following morning is often flexible. The aim is to work both day and night well, without forcing a rigid schedule or exhausting the group.

I've never photographed the Milky Way—will I be lost?

No. You should expect a learning curve, but the fundamentals are covered in the field. If you're new to night photography, you'll get help with focus, exposure choices, and capture setup. If you already have experience, guidance is delivered as needed. Everyone works at their own pace.

Are the locations all the famous viewpoints, or do we get away from crowds?

July is generally less crowded than peak seasons, and we do work a few iconic locations. There's a reason they're famous. The difference is how we approach them: using timing, pacing, and alternative compositions to make those places productive. We also spend time in quieter areas in and around Moab, including locations outside park boundaries when appropriate.

How much hiking is involved, and what are the conditions like in late July?

Hiking is light to moderate. The longest walk is just over half a mile each way, with mild elevation gain, though footing can be uneven on sloped rock. Evenings can start warm and cool quickly after sunset, especially with wind. Thunderstorms are possible. Staying hydrated matters, particularly at elevations between roughly 4,100 and 6,000 feet.

How much post-processing instruction is included, and what should I bring?

Post-processing help is available during midday downtime, using your own files. We focus on night-sky blends, panoramas, and tonal control. Bring a laptop with Photoshop if you want hands-on assistance, but participation is optional. Resting instead of editing is always fine.